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box - 3.2 AIYA for MIDI keyboard
www.chua.ch/box/3-2

_control. _instrument. AIYA eventually evolved into a program that would also output sound back to me, in the form of "voices" that derived their sound from real-time recordings of the connected MIDI keyboard.

box - 3.5 A->B
www.chua.ch/box/3-5

_control. Becoming 2-dimensional through my shadow. This is not the first time I have used my shadow as a way to become more integrated into the otherwise 2-dimensional projection visuals of the improvisation machine. The use of the shadow in.

box - 3.3 AIYA improvisations
www.chua.ch/box/3-3

_control. _vulnerability. The question of sonic identity. This version of AIYA still retained some of the electronically-generated sounds of the original version, taking the form of bell-like resonators fed through a variable delay line.

box - 3.1 aiya overview
www.chua.ch/box/3-1

_control. Behavior: Musical elements in improvisation practice. Translated into computer-actionable sonic transformations (real-time). Call and response. Buffer recall, buffer recall with transformation, complex delay lines. Harmonizing lines.

box - 3.4 bad decisions
www.chua.ch/box/3-4

_control. _agency. _tool. _vulnerability. Framing: Between composition and improvisation.

box - 5. conclusion
www.chua.ch/box/5

_control. or influence over the machine in its glitching behavior as I might have had when it functioned "normally.". Indeed, the issue of. _control. was a prominent and prevailing issue to negotiate when working with the improvisation machine.

box - 3.6 diaphragma
www.chua.ch/box/3-6

_control. _improvisation-partner. _tool. _vulnerability. _narrative

box - 3.7 aiya meets self
www.chua.ch/box/3-7

_control. _agency. Representation. The motif of reflection appears repeatedly throughout. aiya meets self. , which paints a rough picture of how I had come to regard my relationship with the improvisation machine.

5 - black box fading
www.chua.ch/p/bbf/5

_control. _immersion.

box - 4. black box fading
www.chua.ch/box/4

_control. _immersion.