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box - 3.2 AIYA for MIDI keyboard
www.chua.ch/box/3-2

_improvisation-partner. _distinct-entity. _representation. Making Connections. I had my colleagues in the M.A. Transdisciplinary Studies program try out this version of AIYA in a non-performance setting. I noticed two interesting aspects: 1. For the participants

box - 3.1 aiya overview
www.chua.ch/box/3-1

agency. _improvisation-partner. _distinct-entity. _agency. _control. _vulnerability. Some glitches, however, are regarded as problematic and foster my distrust of the machine as an improvisation partner. Lack of control and not knowing the reason behind the

box - 5. conclusion
www.chua.ch/box/5

components, such as the projectors and speakers) also had an effect on whether I would perceive it as either a. _distinct-entity. or an. extension. of my own body. In. diaphragma. , my body was quite removed, distance-wise, from the visual. representation

box - 4. black box fading
www.chua.ch/box/4

text snippets from the. prologue. that were distributed across the virtual 3D environment. Sometimes it would be necessary to rotate the virtual camera or zoom into the scene in order to clearly read the text. _transparency. _extendedness. _distinct-entity. _embodiment

5 - black box fading
www.chua.ch/p/bbf/5

text snippets from the. prologue. that were distributed across the virtual 3D environment. Sometimes it would be necessary to rotate the virtual camera or zoom into the scene in order to clearly read the text. _transparency. _extendedness. _distinct-entity. _embodiment

2 - Development of Artistic Practice
www.chua.ch/ief/2

). > Creation of improvisation machine (AIYA). > Reflection on machine agency, extended mind vs. separate improvisation entity, and impacts on performance. practice (primarily through the lens of sonic behavior and interaction design) in the form of a

box - 1.2 core questions + method
www.chua.ch/box/1-2

improvisation machine between viewing it as a separate entity (i.e. chamber music partner) to viewing it as an extension of my body/mind/mindbody (in reference to Hayles and to Clark and Chalmer’s concept of the extended mind)? (1998; 2002). 4. By

6 - Connection to Artistic Practice
www.chua.ch/kug/6

Studies (2018-2021). > Creation of improvisation machine (AIYA). > Reflection on machine agency, extended mind vs. separate improvisation entity, and impacts on performance. practice (primarily through the lens of sonic behavior and interaction design) in

3 - AIYA / black box fading overview
www.chua.ch/w/mi/3

motion board (KMB), audio interface, laptop/software - Max & TouchDesigner). AIYA + black box fading. > Buffer-based improvisation machine. > Reflection on machine agency, extended mind vs. separate improvisation entity, instrument vs. improvisation. partner

box - 3.7 aiya meets self
www.chua.ch/box/3-7

machine I made one and a half years prior to the conception of this installation, I did not include a physical on/off switch for the improvisation machine. The camera, the point of entry for interacting with the machine, remained on for the entire