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box - 1.2 core questions + method
www.chua.ch/box/1-2

Repeat. _agency. _emancipation. _embodiment. _extendedness. _extended-mind. _improvisation-partner. _audience. _narrative. _composition

box - 3.3 AIYA improvisations
www.chua.ch/box/3-3

would also turn off AIYA’s sound output. “How does the machine know when the improvisation is over?” a mentor once mused, years before I created AIYA. This switch was an easy answer (for now). _sonic-identity. _extendedness. _representation. _buffers

box - 2. chaosflöte overview
www.chua.ch/box/2

am no longer improvising “alone” when I can occupy the sonic landscape with these loops. Below are some example loop configurations I have used: _extendedness. _sonic-identity. _loops. _tool. _instrument. [1] Previous versions of the instrument also

box - 1.3 position on key issues
www.chua.ch/box/bb-1-3

etc.). - projection visuals influenced by the movement of my body (e.g. real-time avatar animation, algorithmic visuals taking position and rotation values from body skeleton as parameters). _extendedness. _embodiment. Machine agency and perceived agency

box - 3.7 aiya meets self
www.chua.ch/box/3-7

of a hybrid between instrument and improvisation partner. _embodiment. _movement. _space. _agency. _immersion. _extendedness. _transparency. _hybridity. _instrument. _improvisation-partner. _control. _agency. Representation. The motif of reflection appears

5 - black box fading
www.chua.ch/p/bbf/5

text snippets from the. prologue. that were distributed across the virtual 3D environment. Sometimes it would be necessary to rotate the virtual camera or zoom into the scene in order to clearly read the text. _transparency. _extendedness. _distinct-entity

box - 4. black box fading
www.chua.ch/box/4

text snippets from the. prologue. that were distributed across the virtual 3D environment. Sometimes it would be necessary to rotate the virtual camera or zoom into the scene in order to clearly read the text. _transparency. _extendedness. _distinct-entity