Search results

box - 3.5 A->B
www.chua.ch/box/3-5

movement in both physical and virtual spaces, the effect of feeling more integrated with the machine and more embodied with the machine became stronger. _control. _space. _glitch. _vulnerability. _dialogue. _embodiment. _representation. _movement. _space

box - 5. conclusion
www.chua.ch/box/5

but at other times being swallowed up by it. Perhaps the question became less about machine. _agency. and more about hierarchy between man and machine: "Who has the power?" or "Who. seems. to have the power?". Allowing the prevalence of. _glitch. (es) in

box - 3.7 aiya meets self
www.chua.ch/box/3-7

communicate and play with AIYA. Ableton is also used for the first time as the sound "engine" for AIYA. The AIYA Max patch sends MIDI commands to Ableton to control the playback and sonic parameters of the sounds. _installation. _movement. _space. _glitch

box - 3.1 aiya overview
www.chua.ch/box/3-1

improvisation into a new direction because I know this musician’s history of playing. So perhaps, I cannot trust a musician without having some idea of their history. What does this mean for the machine? Do I need to build a history for it as well? _glitch. _distinct

5 - black box fading
www.chua.ch/p/bbf/5

the last cycle from disorientation to orientation [3]. _orientation-disorientation. _glitch. _control. _vulnerability. _narrative. _immersion. The reflection as a metaphor for failed human-machine emancipation. The use of mirroring and reflecting (or

box - 4. black box fading
www.chua.ch/box/4

the last cycle from disorientation to orientation [3]. _orientation-disorientation. _glitch. _control. _vulnerability. _narrative. _immersion. The reflection as a metaphor for failed human-machine emancipation. The use of mirroring and reflecting (or