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box - 1.2 core questions + method

_improvisation-partner. _audience. _narrative. _composition. next ►. ◄ back

box - 3.6 diaphragma

_improvisation. _representation. _instrument. Control. I revisited my previous implementation of an on/off switch for the improvisation machine and thought about how I could address this mechanism in a different way.

box - 1.1 introduction

_improvisation. Creating a musical improvisation machine can be regarded as practical way to learn more about the character of its creator.

box - 3.2 AIYA for MIDI keyboard

_improvisation-partner. _distinct-entity. _representation. Making Connections. I had my colleagues in the M.A. Transdisciplinary Studies program try out this version of AIYA in a non-performance setting. I noticed two interesting aspects: 1.

box - 3.5 A->B

_improvisation. _control. Becoming 2-dimensional through my shadow. This is not the first time I have used my shadow as a way to become more integrated into the otherwise 2-dimensional projection visuals of the improvisation machine.

box - 3.4 bad decisions

_improvisation. _narrative. _translation. _transparency. next ►. ◄ back

box - 1.3 position on key issues


box - 3.1 aiya overview

_improvisation-partner. _distinct-entity. _agency. _control. _vulnerability. Some glitches, however, are regarded as problematic and foster my distrust of the machine as an improvisation partner.

box - 3.7 aiya meets self

_improvisation-partner. _control. _agency. Representation. The motif of reflection appears repeatedly throughout. aiya meets self. , which paints a rough picture of how I had come to regard my relationship with the improvisation machine.

5 - black box fading

_improvisation. _immersion. _representation. Listening to the fingerprint of the machine. Recording the material used in. black box fading. proved to be a challenge due to the low-light setting of the scene.