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box - 3.2 AIYA for MIDI keyboard

_instrument. AIYA eventually evolved into a program that would also output sound back to me, in the form of "voices" that derived their sound from real-time recordings of the connected MIDI keyboard.

box - 3.6 diaphragma

_instrument. Control. I revisited my previous implementation of an on/off switch for the improvisation machine and thought about how I could address this mechanism in a different way.

box - 2. chaosflöte overview

_instrument. next ►. ◄ back. [1] Previous versions of the instrument also included an airflow sensor. [2] e.g. pitch-shifting, exaggerated reverb, distortion effects, among others. [3] A very early version of the Chaosflöte used three piezo-electric microphones

box - 3.7 aiya meets self

_instrument. _improvisation-partner. _control. _agency. Representation. The motif of reflection appears repeatedly throughout. aiya meets self. , which paints a rough picture of how I had come to regard my relationship with the improvisation machine.

box - 5. conclusion

_instrument. In the end, the balance between more or less control was correlated with the balance between perceiving the improvisation as an extension of my body or as a. separate/distinct improvisation entity. The machine's. physical presence.