I brainstormed the following musical devices I could identify in my own improvisation practice, which I categorized into analysis and behavior elements.…
1.3 - Improvisation as an embodied practice. "While improvising, the body has its own non-rational intelligence other than and apart from cognition or mind superintending all features of its expression." -Patricia L.…
MAPPING IMPRO. creating an improvisation machine. Requirements: Max 8 | Download. Course Materials | See below for use policy | Download. Patch Structure: (A) -> (B) -> (C) -> (D). (A) Data tracking ("0 - MAPPING"). (B) Data analysis ("0 - MAPPING"). (C) A…
1 - Improvisation as an inherently immersive and embodied practice. Starting point: Classical flute. >Contemporary music. >>Improvisation. >>>Electroacoustic music. >>>>Audiovisual composition and improvisation. >>>>>Machine improvisation. >.…
The creation of and performance with improvisation machines is a method and practice in which to reflect critically one’s own improvisation practice. b.…
New Media: Theories and Practices of Digitextuality, 10, 93–106. https://doi.org/10.4324/9780203953853-16. Lindborg, P. (2013). Skalldans , an Audiovisual Improvisation Framework.…
New Media: Theories and Practices of Digitextuality, 10, 93–106. https://doi.org/10.4324/9780203953853-16. Lewis, G. (2018) “Why do we want our machines to improvise?” In: The Oxford Handbook of Algorithmic Music. Lorway, N. Jarvis, M. Wilson, A.…
New Media: Theories and Practices of Digitextuality, 10, 93–106. https://doi.org/10.4324/9780203953853-16. Lewis, G. (2018) “Why do we want our machines to improvise?” In: The Oxford Handbook of Algorithmic Music. Lorway, N. Jarvis, M. Wilson, A.…
The process of creating the improvisation machine has led me to the following core questions related to my work: How can agency (and perceived agency) be given to an improvisation machine, and how does working with such a machine impact my performance practice…