_representation. _composition. _improvisation. _representation. _instrument. Control. I revisited my previous implementation of an on/off switch for the improvisation machine and thought about how I could address this mechanism in a different way.…
_representation. This thesis serves as a technical and conceptual documentation of AIYA’s development, where each stage of its development is accompanied by a performance work created for it.…
_representation. _buffers. _control. _vulnerability. The question of sonic identity.…
_representation. Making Connections. I had my colleagues in the M.A. Transdisciplinary Studies program try out this version of AIYA in a non-performance setting. I noticed two interesting aspects: 1.…
_representation. _narrative. (above) signal flow of this version of AIYA, as used in. bad decisions. (above) the face of Bec Plexus in. bad decisions. (above) full recording of. bad decisions.…
_representation. next ►. ◄ back. [1] While this can be useful for some improvisations, especially in the Jazz context, many improvisations do not follow the traditional Western concept of “playing in a key”; thus, the usefulness of this measurement can be negotiated…
_representation. of myself into the projections, seen on the right. The 360° video format in. black box fading. also yielded interesting visual possibilities for playing with the. perception of bodily dimensions.…
_representation. Listening to the fingerprint of the machine. Recording the material used in. black box fading. proved to be a challenge due to the low-light setting of the scene.…