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box - 3.3 AIYA improvisations
www.chua.ch/box/3-3

_vulnerability. The question of sonic identity. This version of AIYA still retained some of the electronically-generated sounds of the original version, taking the form of bell-like resonators fed through a variable delay line.

box - 3.2 AIYA for MIDI keyboard
www.chua.ch/box/3-2

_vulnerability

box - 3.5 A->B
www.chua.ch/box/3-5

_vulnerability. _dialogue. _embodiment. _representation. _movement. _space

box - 3.4 bad decisions
www.chua.ch/box/3-4

_vulnerability. Framing: Between composition and improvisation. On the one hand, the precomposed fixed media helped to drive a consistent narrative of the performance, which might have otherwise been less concretely conveyed with an improvisation alone.

box - 3.6 diaphragma
www.chua.ch/box/3-6

_vulnerability. _narrative

box - 3.1 aiya overview
www.chua.ch/box/3-1

_vulnerability. Some glitches, however, are regarded as problematic and foster my distrust of the machine as an improvisation partner.

box - 3.7 aiya meets self
www.chua.ch/box/3-7

_vulnerability. Augmenting the body with technologies entertains the inner desire to deny oneself this vulnerability and defy the eventual degradation of the flesh.

5 - black box fading
www.chua.ch/p/bbf/5

_vulnerability. _narrative. _immersion. The reflection as a metaphor for failed human-machine emancipation. The use of mirroring and reflecting (or reversing) serves as a metaphor for the machine's relationship to my actions.

box - 4. black box fading
www.chua.ch/box/4

_vulnerability. _narrative. _immersion. The reflection as a metaphor for failed human-machine emancipation. The use of mirroring and reflecting (or reversing) serves as a metaphor for the machine's relationship to my actions.