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box - 5. conclusion
www.chua.ch/box/5

From the. audience's. perspective, however, it proved to be difficult to instill the perception of the machine as being emancipated from the human performer.

1.3 - Improvisation as an embodied practice
www.chua.ch/ias/pl/1-3

The body communicates. intentionality. of the musical line to both the audience and the other performers involved in the improvisation. >.

box - 1.2 core questions + method
www.chua.ch/box/1-2

How are the intricate human-machine relations conveyed to the audience, and how does this affect the audience’s perception of the performance? (authenticity? interest? reflection?).

box - 6. bibliography
www.chua.ch/box/6

Participation: J. of Audience and Participations Studies, 11(1), 254–269. Carey, B. (2019). Musical Interpretation In Improvised Human- Machine Performance Musical Interpretation In Improvised Human-Machine Performance. Sound Scripts, 6(1).

5 - Literature/Resources
www.chua.ch/w/mi/5

Participation: J. of Audience and Participations Studies, 11(1), 254–269. Carey, B. (2019). Musical Interpretation In Improvised Human- Machine Performance Musical Interpretation In Improvised Human-Machine Performance. Sound Scripts, 6(1).

5 - black box fading
www.chua.ch/p/bbf/5

Each of the rigid bodies originally used on my body in the 360° recording were distributed to each audience member, as somewhat of a metaphor for the disembodiment or distributed embodiment of my body (as perceived by the machine) to the six participants.

box - 4. black box fading
www.chua.ch/box/4

Each of the rigid bodies originally used on my body in the 360° recording were distributed to each audience member, as somewhat of a metaphor for the disembodiment or distributed embodiment of my body (as perceived by the machine) to the six participants.

box - 3.4 bad decisions
www.chua.ch/box/3-4

On the other hand, I became somewhat conflicted about the nature of the work and its ambiguousness to the audience between what was done with fixed media and what was done live.

about
www.chua.ch/about

The aesthetics of her work gravitate towards immersive future-fictions with undertones of nostalgia and introspection, pulling audiences into intimate worlds.