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5 - Relevance
www.chua.ch/kug/5

The development of visual representations in improvisation machines can facilitate a richer, more multi-faceted experience in improvising with machines, in a similar way to how it does for human-to-human performance.

2 - Brief History of Machine Improvisation
www.chua.ch/kug/2

By allowing the machine to create a representation of our identities as improvisers, we can achieve a distance to ourselves that is productive for the analysis and discovery about our own playing. 1 - Introduction. 2 - Brief History of Machine Improvisation

1 - Improvisation Machine in Literature
www.chua.ch/w/mi/1

By allowing the machine to create a representation of our identities as improvisers, we can achieve a distance to ourselves that is productive for the analysis and discovery about our own playing. melody chua. 0 - Home. 1 - Machine Improvisation in Literature

box - 5. conclusion
www.chua.ch/box/5

Across the lifespan of AIYA I have. tried to. represent. it. , but I cannot. at least I cannot define the machine by a single attempted representation.

5 - black box fading
www.chua.ch/p/bbf/5

Getting lost in the space of each other becomes the game of representation, and there is no better way to describe this than through actions rather than words. So welcome to this black box. It is a pleasure having you here. Team.

box - 4. black box fading
www.chua.ch/box/4

Getting lost in the space of each other becomes the game of representation, and there is no better way to describe this than through actions rather than words. So welcome to this black box. It is a pleasure having you here. Team.

box - 3.4 bad decisions
www.chua.ch/box/3-4

The compositional efforts of XUAN and I to represent the machine were in direct opposition to the live improvisation efforts of the human performer to assert her own representation. _fixed-vs-live. _composition. _improvisation. _narrative. _translation.

3 - Research Gap
www.chua.ch/kug/3

Current visual “representations” of improvisation machines: i. Technical equipment: speakers, microphones, laptop, sensors. ii. Scrolling “piano roll” interface (Mimi). iii.

Outline
www.chua.ch/ias/pl/0-2

How can the sonic and visual representations of improvisation machines influence our perception of immersion and embodiment in the context of improvisation? I - Improvisation as an inherently immersive and embodied practice.

4 - Beyond the box
www.chua.ch/ias/pl/4

Developing visual representations of improvisation machines. Creating and working with improvisation machines opens up new ways of thinking of how we can embody music and be immersed in the act of improvising.