Search results

chaosflöte: dimensions
www.chua.ch/p/dimensions

Dimensions: Chaosflöte. features compositions of and improvisations with the chaosflöte.

chaosflöte
www.chua.ch/p/chaosfloete

In facilitating interdisciplinary performances, the Chaosflöte challenges the artist to rethink conventional understandings of performance, composition, and improvisation.

box - 3.4 bad decisions
www.chua.ch/box/3-4

the piece, she tries to make the machine “behave”…but bad decisions teases the notion that, rather, machine foul play and the unexpected disruptions brought on by technology can be a more interesting inspiration for a broader palette of chaotic expression. composition

videos for liberA
www.chua.ch/p/libera

The result is not only a highly nuanced interpolation of genres, but a tension-producing interplay between distinct musical traditions, languages and approaches to composition and performance.

1 - beginnings
www.chua.ch/p/bbf/1-beginnings

>electroacoustic composition (4). >video gaming (22). >max/MSP/Jitter (5). >supercollider (5). >touchdesigner (1). >it analyst (2). >chaosflöte (4).

1 - Melody Chua: Short Introduction
www.chua.ch/kug/1

Interdisciplinary artist working with interactive technologies across the following formats: sound→visuals. performance→installation. improvisation→composition. Focus on human-computer interaction and posthuman narratives. (portfolio).

box - 3.6 diaphragma
www.chua.ch/box/3-6

Framing: Between composition and improvisation.

II - Improvisation as an inherently immersive and embodied practice
www.chua.ch/ias/pl/1-1

>>>>Audiovisual composition and improvisation. >>>>>Machine improvisation. >.

NEXTION
www.chua.ch/p/nextion

The environment of the composition draws a narrative between memory and trauma. (photo: P.A. Balmer). Email. LinkedIn. Facebook. Instagram. YouTube

3 - black box fading
www.chua.ch/ias/pl/3

Somehow I feel conflicted over creating a work about improvisation in a composed setting…pandemic aside, perhaps this format illustrates precisely my blurred perception of improvisation vs. composition…. if you watch recordings of an improvisation, does it