► 3.7 aiya meets self. 4. black box fading. 5. conclusion. 6. bibliography. epilogue. 1.1 introduction. _black-box. _immersion. _reflection. _agency. _improvisation.…
► 3.7 aiya meets self. 4. black box fading. 5. conclusion. 6. bibliography. epilogue. 3.1 aiya overview: a development out of the chaosflöte.…
In. black box fading. I tried to test this conclusion, but in the opposite way: using the. immersive box projections. as an illusion of giving the improvisation machine a three-dimensional character, in order to match the three-dimensionality of my body.…
A->B. ► 3.6. diaphragma. ► 3.7 aiya meets self. 4. black box fading. 5. conclusion. 6. bibliography. epilogue. (above) another snapshot from the 360° video. black box fading. 4. black box fading. (nov. 2020 - may 2021).…
Scanning the QR code takes you to the online program notes at. chua.ch/box. , where there is also a form to leave feedback on the event. (above) another snapshot from the 360° video. black box fading. 4. black box fading. (nov. 2020 - may 2021).…
► 3.7 aiya meets self. 4. black box fading. 5. conclusion. 6. bibliography. epilogue. diaphragma. for chaosflöte is a solo improvisation and my song of the breath, one that undulates between uncertainty, persistence, and vulnerability, while musing upon Ernest…
chaosflöte. black box. from sensor-augmented instruments to machine improvisation. enter. Melody Chua | 14.07.2021…
► 3.7 aiya meets self. 4. black box fading. 5. conclusion. 6. bibliography. epilogue. 6. bibliography. Becker, E. (1973) The Denial of Death. New York: Free Press, Simon & Schuster. Blackman, L. (2008). The body: The key concepts. Oxford: Berg.…
► 3.7 aiya meets self. 4. black box fading. 5. conclusion. 6. bibliography. epilogue. 2. chaosflöte overview.…
3. black box fading. (above) a snapshot from the 360° video. black box fading. (above) the entrance to the ZHdK Immersive Arts Space, the literal black box, decorated with square handouts/program notes each of the participants received.…